We utilize the latest and greatest technologies for our productions.

Camera:

We use the PANASONIC HVX-200 HD Cam:

True high definition image quality with low-compression DVCPRO HD intraframe recording
Multiple formats: DVCPRO HD, DVCPRO 50, DVCPRO, DV selectable
High definition recording formats: 1080/60i, 1080/24p, 1080/24pA, 1080/30p, 720p (variable frame rates)
Standard definition recording formats: 480/60i, 480/24p, 480pA, 480/30p
CineSwitchTM technology for variable frame rates in 720p mode: 12, 18, 20, 22, 24, 26, 30, 32, 36, 48, 60fps
1/3" 16:9 native high-sensitivity progressive 3-CCD with 1080/60p scanning
New DSP with 14-bit A/D conversion and 19-bit internal processing for unprecedented accuracy
16:9/4:3 switchable for standard definition recording, 16:9 native for HD
Wide angle Leica Dicomar HD lens with optical image stabilizer (motorized/manual mode switchable)
High resolution 235,000 pixel .44" electronic viewfinder (EVF) with 90 degree tilt and detail function (for easier focusing)
High resolution 210,000 pixel flip-out 270 degree 3.5" LCD display
Thumbnail display for easy searching and file information
Auto/manual focus with focus assist (even during recording)
Cam-driven manual zoom
13X zoom range: focal length = 4.2 to 55mm (35mm equivalent: 32.5 to 423)
Advanced gamma functions and eight gamma settings including two CineGammaTM modes and NewsGammaTM mode
Advanced image adjustments: color matrix, detail, chroma phase, color temp, knee points
Two ND filters: 1/8, 1/64
82mm filter diameter
Two P2 card slots with hot swap capability
Hot swap, loop, pre-record (3 seconds in HD, 7 seconds in SD), one shot, and interval recording functions
Mini-DV tape transport for DV recording
Internal downconversion and frame rate conversion from HD source recorded on P2 cards to Mini-DV tape
48kHz 16-bit 4-channel PCM audio (2 XLRs with phantom power)
Built-in stereo microphone (unidirectional microphone optional)
Audio dials and flexible input selection
Analog component (Y, Pb, Pr) output
Composite input/output
S-Video input/output
Standard IEEE 1394 interface
External recording to FOCUS FireStore FS-100 via IEEE 1394 streaming
Host mode for transferring previously recorded content on P2 cards to an external hard drive via IEEE 1394
Compatible with nonlinear editing systems from Apple, Avid and Canopus
USB 2.0
SD memory card slot for sharing scene files
Remote control for zoom, record (start/stop)
Remote control for focus, iris control
SMPTE timecode reader/generator with timecode matching with multiple cameras via IEEE 1394
SMPTE color bars
Three programmable user buttons
Six pre-set scene files (user programmable)
Shot marker function
Slow, synchro and high speed shutter
White balance with auto tracking white function
Trigger and zoom control on upper handle grip
Ultra-tough magnesium alloy chassis

For Audio we use the Audio Technica AT-897:

Audio-Technica’s AT897 is designed for field audio acquisition in film/TV/video production, professional recording, wildlife recording and broadcast applications. It mounts conveniently on a DV camcorder without adding noticeable heft, and remains out of the frame even with compact digital cameras. This high-performance short shotgun offers outstanding long-distance audio pickup due to narrow acceptance angle of line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and rear of mic.

  • Designed for video production and broadcast (ENG/EFP) audio acquisition

  • Short length (11") ensures mic stays out of the shot -- even when used with compact digital cameras

  • Smooth, natural-sounding on-axis audio quality

  • Provides the narrow acceptance angle desirable for long-distance sound pickup

  • Excellent sound rejection from the sides and rear of mic

  • Switchable low-frequency roll-off

  • Operates on battery or phantom power

 

About Us | Contact Us | ©2007 Sinne Productions